In the inaugural joint event between American Theatre and Signature Theatre Company, a discussion with Bill Rauch, Ralph Peña, Erica Jensen, and Jacob Padrón on successful strategies for making more equitable theatre.
Two new revivals—one ebulliently LGBTQ, another brooding and immersive—make this musical warhorse run in new directions.
By doing such vital work by living playwrights, this classical destination theatre with Shakespeare in its name effectively puts them on equal footing with the Bard.
The Oregon Shakes leader will cross the country to take on a new challenge: to lead a performing arts center at New York’s World Trade Center.
The longtime artistic director will leave to lead the Ronald O. Perelman Center for Performing Arts at the World Trade Center in New York City.
At a gathering of Boston theatre leaders and their boards last year, Bill Rauch shared tips and takeaways from Oregon Shakes’s ED&I journey.
Actors’ Equity Association recognizes Rauch’s efforts to promote equity, diversity, and inclusion.
Though our ‘Play on!’ commissioning project has met with some vocal disapproval, the work is grounded in the Oregon Shakespeare Festival’s core values—and our love for the Bard.
Oregon Shakespeare Fest’s new translation project pits purity against clarity, 400 years of reverence against a few hours’ traffic of the stage.
An issue of a magazine, like a theatrical season, is a menu of options reflecting our tastes, affinities, and priorities.