This month Woodzick talks to the Bay Area playwright about political disillusionment, the liberation of basic income, and the sacred space of theatre.
As San José takes the reins of the Bay Area’s Magic Theatre, he’s set to bring his Campo Santo ethos to a larger platform.
San José succeeds Loretta Greco at the San Francisco organization.
Star Finch will develop new works and facilitate writing groups as part of the three-year residency.
Theatres with modest budgets can have outsized impact, but can they sustain success?
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?