A Many-Headed ‘Lear,’ a Theatrical ‘Dinner With André’
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
All Stories About Compagnia de’ Colombari
Shylock, Remade in the Venice Ghetto
What we learned about ‘Merchant of Venice’ by staging it in the city where it was set.
Gospels on the Piazza
During the feast of Corpus Christi, a new ensemble congregates in the streets of Orvieto to reinvent the medieval drama cycle.
