The leader of the O’Neill’s literary office is dedicated to greater access for new and under-produced writers.
To get the most out of a staged reading, communicate early and often so that everyone is on the same page.
Company One’s director of new work questions everything, including herself.
In his teaching and his work, he pressed all theatre workers to develop their own ideal theatre. But none could match his.
It’s not just about talkbacks at the small Boston theatre—it’s about creating safe spaces for engagement with often uncomfortable work.
At a coffee shop near you, the Dramaturgy Open Office Hour Project offers a user-friendly intro to the sometimes elusive art form.
A collection of 85 essays offers a definitive sampler of views, analyses, and advice about this new, still occasionally mistrusted craft.
Some theatres are finding ways to coach audiences into the world of the play before the curtain ever goes up.
A kaleidoscopic look at a discipline that still gets no respect.
How to become a theatre company’s practical dreamer.