A Many-Headed ‘Lear,’ a Theatrical ‘Dinner With André’
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
We asked leaders at some of the nation’s small theatre companies which shows, both large and small, they were most looking forward to in the coming season.
Brenda Withers’s new play, set in 19th-century Russia, is inspired by her theatre’s experiences with feedback on Cape Cod.
Also on the company’s slate: an original devised work about a trapped miner, and a revival of ‘A Doll’s House.’
‘The Billingsgate Project’ interweaves real history and contemporary speculation