More than a mere box-office cash cow, Dickens’s classic is a community builder, a gateway drug, and a holiday tradition.
Unexplained knocking, disembodied voices, a whiskey-drinking spirit, and more fill our annual collection of stories about theatrical ghosts.
The Arts Innovation and Management program will support cultural organizations in Austin and New Orleans.
A designer who continually remade the Performing Garage and the Wilma, he was also a ready teacher, mentor, and problem-solver.
Cooper joins Le Petit Theatre after leaving his position at American Conservatory Theater.
Williams specialist Janet Shea tackles the play’s florid Flora in a tailor-made new production.