Do a crop of inward-looking new plays about white privilege represent a step forward, or are they an expression of privilege in themselves?
The English dame holds forth on ‘My Fair Lady’ and its problems, pay equity, and the time Albee didn’t like her performance.
How the playwright came to write her searing and sweeping play, and why she cares as much about her audience’s dialogue as her own.
The awards will fund extra time for the development of 27 new productions across the country.
Whose programs do the programmers admire most? We asked some U.S. theatre leaders and they told us.
This second round of residents will include five playwrights.
Taylor Mac, Paula Vogel, and Ruben Santiago-Hudson and the cast of ‘Jitney’ received special citations.
Branden Jacobs-Jenkins’s new play is a family drama fired by questions of race, class, and what it means to be human.
Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.