Artists of color have been placed in leadership positions across the U.S., but are they actually getting the respect and support they deserve?
Beyond Zoom readings, companies are finding new forms and collaborators, and reaching audiences far beyond any they could serve in person.
Leaders at OSF and Woolly Mammoth will each receive $500,000 and will join a distinguished cohort of female leaders.
In her and her team’s first season at OSF, Nataki Garrett has faced COVID and wildfires, challenges that have only intensified their ties to the community.
An especially strong week of archival recordings and live readings of buzzy plays.
If we can’t have theatre until we can gather again safely, what are U.S. theatres and artists going to do in the meantime, and after?
Garrett, the artistic director of Oregon Shakespeare Festival, is the first to receive the new award for mid-career female directors.
Nataki Garrett’s first season includes Qui Nguyen’s sequel to ‘Vietgone’ and plays by Dominique Morisseau, Karen Zacarías, Theresa Rebeck, Marcus Gardley, and Sarah B. Mantell.
10 new artistic directors talk about their visions for their communities, and for the theatre field writ large.
A director and administrator known for championing new work, she is poised to lead one of the nation’s leading theatres.