So Let the Fireworks Come
Counter-programming the semiquincentennial with an older and deeper story that can’t be untold.
Counter-programming the semiquincentennial with an older and deeper story that can’t be untold.
This adaptation of Sophocles’s ‘Antigone’ centers a Nez Perce-Cayuse family tearing itself apart over the fate of ancestral remains.
Vickie Ramirez’s play explores the erasure of Indigenous women, and what it takes to claim your voice and your culture.
This creative work from Lee Cataluna explores what Maui means to the world in the wake of the Lahaina fires.
How new-work development and proactive hiring can solve the problem of near-zero Native representation on U.S. stages.
A leader with a track record of nurturing and producing work by Native artists, Harrison will begin the project in residency at Oregon’s Bag&Baggage Productions.
The upcoming season was the first planned by artistic director Jeanette Harrison, who was appointed in 2022.
Her ‘Thanskgiving Play’ is the first play by a Native woman playwright on Broadway, but you can leave your virtue-signaling and tragedy-porn expectations at the door.
Harrison will succeed Dámaso Rodríguez at the Oregon LORT theatre after serving 17 years as co-founder and artistic director of California’s AlterTheater.
Over nearly 5 decades, the co-founder of Spiderwoman Theater has harnessed great if under-acknowledged power, and has felt an accordingly great sense of responsibility.