Time and Space at the Colorado New Play Summit
Even on a smaller scale, this year’s Summit offered 4 playwrights the invaluable chance to write questions and stage the answers.
Even on a smaller scale, this year’s Summit offered 4 playwrights the invaluable chance to write questions and stage the answers.
Under the Radar, Exponential, and Prototype at last returned in person this year, and the pickings were as unexpected and various as ever.
The latest entry in the new-play festival game, staged in August across 5 venues in an arts-centric town, had impressive local buy-in and enthusiastic full houses.
Back in August after a pandemic hiatus, the biennial gathering of Black theatremakers reclaimed its status as both a reunion and a showcase for new work.
Roughly equal parts joy and rigor have characterized his 20-year tenure as artistic director of this influential new-play incubator.
Among the usual outsized quantity of productions at this year’s fest was a strong and meaningful showing of work by Middle Eastern artists.
In streamlining its offerings, the annual Omaha new-play gathering has gained what visiting artists see as an increase in collegiality, support, and breathing room.
Bringing together 300 artists from 8 U.S. communities, Live in America is banking on place-based performance as the radical way forward.
The Idaho new-play development conference, usually an intense, immersive small-town experience, went virtual this year but kept its spirit intact.
Though American Realness and COIL are sorely missed, there was much international work to take in at this year’s Under the Radar and Exponential fests.