From Almasi to Ojai: Play Development Goes Global
A new play about health-care inequity gets the new-works-festival treatment in Zimbabwe and California.
A new play about health-care inequity gets the new-works-festival treatment in Zimbabwe and California.
The 35th summer season at Vassar & New York Stage and Film’s Powerhouse Theater marked the end of an era and the beginning of a new one.
Last week at the Colorado New Play Festival in Steamboat Springs, work by Branden Jacobs-Jenkins and Jill Sobule, among others, searched for its sound and form.
The shows in this year’s new-play fest at Actors Theatre of Louisville were in dialogue with past offerings, no doubt, but also with our current moment.
Now under new leadership, the 14th iteration of this developmental festival again offered room, time, and shared energy to a crop of writers.
New York’s annual experimental theatre sampler boasts plenty of chills and frills, but the real attraction is carefully crafted mayhem.
At the 42nd Humana Festival of New American Plays, the Kilroys and Anne Bogart spoke, Lauren Gunderson got a prize, and a majority female-authored program commanded the stage.
What I saw when I chose to focus on artists of color at Under the Radar, COIL, et al.
Under Jackie Alexander’s leadership, North Carolina Black Rep’s biennial gathering aims to connect playwrights and producers.
South Coast’s rep for developing new work makes another strong showing.