Where would Broadway be without the nation’s nonprofit theatres? It’s impossible to say, so intertwined are their fortunes.
A good play makes you think, but the exquisite little play-books from 53rd State Press are objects of contemplation in themselves.
Do new plays have a better shot at success in Britain than in the U.S.? Let’s investigate.
Or, how visual arts audiences got comfortable with radical innovation, while theatre audiences didn’t.
Humana is two decades old, and still surprising.
You write a play, you take your chances.
To what degree is an originating theatre entitled to share in the future theatrical life of a play?