The critics look back on a decade of change in the American theatre, and discuss ‘Greater Clements,’ ‘Sing Street,’ and the ‘My Fair Lady’ tour.
7 playwrights who’ve honed their craft without the coveted degree tell how their roads diverged.
A new space in upstate New York puts its focus on English-language premieres of plays from around the world, as well as commissions of locally themed work.
Mayeda brings her experience in development and arts administration to the 2050 Fellowship at the New York Theatre Workshop.
Live sound mixing, audience wearing headphones—today’s sound designers aren’t just on the sidelines anymore, they’re centerstage.
Jeremy O. Harris talks about the sexual politics of white supremacy, and about how he finds humor in horror (and vice versa).
Six emerging directors and playwrights will participate in a yearlong residency with the company.
The 2019-20 season will also feature ‘Sing Street,’ a new musical from creators of ‘Once,’ and a new play by Martyna Majok.
Theatres don’t need fancy tech to manage box office and customer data, but they do need a system.
In her boundary-breaking, civically engaged play, Heidi Schreck shows that a woman telling her story is a political, and powerful, act