A look back at SoHo in the 1970s, where theatrical experimentation by Meredith Monk, Robert Wilson, Richard Foreman, the Performance Group, and Mabou Mines defined an era.
The experimental theatremaker and scholar looks back at the Civil Rights era, the Free Southern Theater, and the time he directed August Wilson in Johannesburg.
After percolating for nearly 40 years, the Group’s notion of staging Pinter finally clicked after a trip to China. But for now this door has closed.
When the Polish theatre guru came to teach in Irvine in the 1980s, he turned the group into a new experiment in mystery and discipline.