Theatre During Wartime: Everything Is Different (Again)
This ain’t no party, this ain’t no disco, this ain’t no fooling around.
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This ain’t no party, this ain’t no disco, this ain’t no fooling around.
Stephen Karam’s ‘The Humans,’ like Annie Baker’s ‘John,’ uses realism to sharpen our attention to something bigger.
For their accomplishments, songwriters Stacy Luftig and Phillip Palmer will receive a showcase of their work and a cash prize of $50,000.
The new play, a collaboration between Roundabout, playwright Daniel Robert Sullivan, and nine New York City teenagers, began its rolling national premiere last week.
The Off-Broadway company joins the ranks of nonprofits with Broadway houses, with a mission to produce living American writers.
American Theater Company’s docutheatre piece ‘The Project(s)’ takes up residence at the intersection of poverty, race and real estate.
Joseph has won the 2015 Laurents/Hatcher Foundation Award for his play ‘Guards at the Taj.’
From little black dresses to jeans, bicycles to balloons, six memorable reinventions of Stephen Sondheim and James Lapine’s “Into the Woods” from 2014 (not counting the movie).
The playwright gives a sneak preview of his new work, commissioned by NYC’s Roundabout and premiering this fall at Chicago’s American Theater Company.
Roundabout Theatre Company’s 1998 revival of “Cabaret,” directed by Sam Mendes and Rob Marshall, helped transform the Stephen Sondheim Theatre and Studio 54 from notorious dance clubs into legitimate Broadway theatres.