How Daniel Kluger Put a Contemporary Twang on ‘Oklahoma!’
Why the Tony-winning revival of R&H’s musical sounds more string-band country than traditional musical theatre.
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Why the Tony-winning revival of R&H’s musical sounds more string-band country than traditional musical theatre.
The special counsel’s report has inspired six different events in a two-month period, combining entertainment and activism—and original songs.
Live sound mixing, audience wearing headphones—today’s sound designers aren’t just on the sidelines anymore, they’re centerstage.
Making a show sound great in a theatre space is as much an art as a science, and there’s no substitute for being there.
What is ‘white space,’ and what is the FCC doing about theatre’s ever-crowding sound systems? An explainer.
Composer Jeremy Douglass was inspired by video games to create underscoring that reacts in real time to the action onstage.
The one-day event in Miami brought together educators, administrators, and students to address issues at higher-ed institutions.
Jeremy O. Harris talks about the sexual politics of white supremacy, and about how he finds humor in horror (and vice versa).
From Edwidge Danticat to Wesley Morris, from Quiara Alegría Hudes to Lee Breuer, this year’s four tentpole gatherings were as rich and stimulating as the Florida city.
The monologuist is telling his most personal story ever at the Public Theatre, and he finds that music helps the medicine go down.