Sarah Ruhl and Tracy Letts: 2 Playwrights and ‘Three Sisters’
A conversation about playmaking, ensemble acting, writing regimens—oh, and that Chekhov play they both adapted.
A conversation about playmaking, ensemble acting, writing regimens—oh, and that Chekhov play they both adapted.
Successes for Steppenwolf, Swine Palace, Suzan-Lori Parks, and Sutton Foster.
Reports on casting demographics, new-play programs, theatre as autism therapy, and more.
When big theatres host little ones, some valuable cross-pollination of resources can occur.
Why does the ‘Clybourne Park’ playwright put such a premium on the freedom to provoke?
More than provocation, ‘Clybourne Park’ is a bracing referendum on our polite, purportedly ‘post-racial’ discourse
An interview with the playwright of ‘Detroit.’
How the many facets of one theatre artist—adaptor, actor, artistic director—have forged a major playwriting voice.
Theatremakers at this year’s TCG National conference gathered to face today’s challenges much as its host city, Chicago, always has: by getting down to business and building from below.
Tarell Alvin McCraney’s trio of profanely poetic ritual dramas signals the emergence of a major new voice.