Editor’s Note for March 2014
A note from American Theatre’s editor, Jim O’Quinn.
A note from American Theatre’s editor, Jim O’Quinn.
Sprinting steadily from Steppenwolf to Broadway and back again, the Tony-winning director isn’t even out of breath.
A chance hospital encounter leads to a new Chicago play.
The Hypocrites founder made his name punking the classics. Now, as a solo auteur, he’s leavening Greek tragedies.
The British playwright’s award-winning work receives a new staging from the Steppenwolf Theatre Company.
A conversation about playmaking, ensemble acting, writing regimens—oh, and that Chekhov play they both adapted.
Successes for Steppenwolf, Swine Palace, Suzan-Lori Parks, and Sutton Foster.
Reports on casting demographics, new-play programs, theatre as autism therapy, and more.
An interview with the playwright of ‘Detroit.’
How the many facets of one theatre artist—adaptor, actor, artistic director—have forged a major playwriting voice.