Antoinette Chinonye Nwandu: Tramping Her Own Exodus to Joy
As a new version of ‘Pass Over’ gets ready to reopen Broadway, its playwright is poised for a fresh chapter.
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As a new version of ‘Pass Over’ gets ready to reopen Broadway, its playwright is poised for a fresh chapter.
Behind and beyond recent reckonings at the city’s theatres are countless tales of exploitation, harm, and silencing—but it’s not too late for change.
Using the virtual platform Gather.Town, Lucky Plush Productions crafted a virtual city-wide arts festival that opened the door for potential future expansion.
The season will feature all ensemble-written plays and the opening of the company’s new 400-seat Round Theater.
Some companies are experimenting with innovative ways to stay connected to their patrons, but will the lessons stick past the pandemic?
In the jurisdictional war between Equity and SAG-AFTRA over theatre work made for screens, actors and stage managers have the most at stake.
The theatre’s additional programming will be made available globally through virtual memberships.
While the pandemic has theatres reevaluating their programming, some are also making shifts toward a more humane working environment.
This Chicago-based performer’s on-again, off-again relationship with theatre takes another turn, but she’s not bowing out.
The Chicago company records a starry, large-cast revival of Arthur Miller’s late work, set amid economic hardship that has fresh resonance.