Dramática: No Place Like You
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
This year’s gathering on theatre governance welcomed leaders back to New York to explore change—and the courage it takes to make it happen.
TCG’s annual governance convening will return to New York City to build collective power and future-ready boards with the theme of “Leadership for the Long Arc.”
Mike Davis, Yasmin Zacaria Mikhaiel, and Miranda Purcell comprise the cohort of early-career theatre journalists and critics of color.
The House’s proposed FY26 appropriations bill would slash federal arts and humanities funding by 35 percent.
As the first year of TCG’s Funds for the Dolls draws to a close, we checked in with the grantees about what this support has meant—and what lies ahead.
The scholarship, administered by Theatre Communications Group, supports early-career costume designers through professional development.
Long, who started on May 19, will lead TCG’s fundraising efforts.
‘In Whom We Trust VI: Governing Boards Survey 2024’ shows an increase in board diversity, among other changes.
The court refused to block the NEA from reimposing a restriction on funding for projects deemed to promote ‘gender ideology,’ even as they maintained that the rule likely violates the First Amendment.