Support American Theatre: a just and thriving theatre ecology begins with information for all. Please click here to make your fully tax-deductible donation today!
What began as a dark thought experiment—what if Black folks just left America and its racist violence behind?—has grown into a scathing satire that speaks to something deep inside audiences.
Fellows Tania Crescencio (connectivity), Fatima Dyfan (new work), and Malaya Press (development), will each have paid year-long department-specific positions that include benefits and a housing stipend.
The former general manager of Oregon Shakes will join Woolly in an interim capacity this summer, succeeding Emika Abe in the position until a new director is selected.
The new 3-year program will support writers, directors, designers, choreographers, and other generative artists in the creation of new works with a connection to the D.C. area.
Already in his short time so far at D.C.’s Shakespeare Theatre Company, Simon Godwin has striven to redefine the stage canon.
The new year-long effort aims to support artistic development at and among Baltimore Center Stage, Woolly Mammoth, Long Wharf, and the Repertory Theatre of St. Louis.
Some Washington, D.C., theatre leaders gathered last month to discuss their anti-racism work, both individually and collectively.
A co-production among Woolly Mammoth, the Huntington, and Pasadena Playhouse gives new life to Mike Lew’s disability-themed spin on ‘Richard III.’
A new streaming platform from Broadway on Demand offers a place for regional theatres to introduce themselves to national, even global audiences.
The spring season will feature new and returning on-demand and live streaming productions.
