The Company Way: What Happened to the Acting Ensemble Ideal
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
2 new books show and tell the instructive story of Arena’s path-breaking co-founder, Zelda Fichandler—both the work she did and the work she left for us to continue.
In 1968, one of the regional theatre’s founding mothers wrote an urgent memo to her board: It was long past time to integrate the company and diversify the audience.
March set the stage for political upheavals and peaceful exchanges between nations, a new dance company, a Chicana playwright, and the first female manager of a major U.S. theatre.
From the first staging of an English-language on U.S. soil to the founding of Arena Stage, August has been a hot month for theatre.
Meet the driving force behind the institution that would become Milwaukee Repertory Theater.
Formed to address the needs of a nascent resident theatre movement, TCG has grown, and is still growing, to serve an ever-changing field.
Remembering Zelda Fichandler and her legacy within the resident theatre movement.
Zelda Fichandler wasn’t just a founder of the American resident theatre movement; she was also one of its most clear-eyed critics.
The dynamo who led Arena Stage and NYU Tisch’s acting program was acutely interested in human beings, and what theatre could reveal about them.