Taking It to the Streets on a ‘Red Bike’
Staged within a D.C. neighborhood block party, Pan Underground’s production of Caridad Svich’s play is designed connect local community members.
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Staged within a D.C. neighborhood block party, Pan Underground’s production of Caridad Svich’s play is designed connect local community members.
Some Washington, D.C., theatre leaders gathered last month to discuss their anti-racism work, both individually and collectively.
Last month Madison Mae Williams, a dramaturg with a focus on new plays, did the field proud in a national TV appearance.
Phantoms playing hide-and-seek, lighting with a mind of its own, floating shadows, and more fill our annual assortment of tales about haunted theatres.
The schedule includes virtual events in October, December, and January, and an in-person gathering in November.
Lloyd Suh’s play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
A co-production among Woolly Mammoth, the Huntington, and Pasadena Playhouse gives new life to Mike Lew’s disability-themed spin on ‘Richard III.’
This month Brian talks to the Brooklyn-based playwright about fighting back against abuse, hustling past gatekeepers, and finding her authentic voice.
For this episode, the editors talk to the artistic director of Atlanta’s True Colors Theatre about the city, the theatre, and the art form.
Director, playwright, and screenwriter Emily Mann is honored for her lifetime achievement and distinguished service to the national nonprofit theatre.