D.C. Resilience and Resistance in Mosaic Theater’s Reflection Series
The Washington theatre commissioned 4 artists to share creative writing, performance, and video responses to the past year of living under National Guard occupation.
The Washington theatre commissioned 4 artists to share creative writing, performance, and video responses to the past year of living under National Guard occupation.
Opening Dallas Theater Center’s season of all new work is a play about President Ronald Reagan and Mikhail Gorbachev’s fateful peace talk to scale down nuclear weapons.
Katie Ka Vang’s play about a historic Twin Cities immigrant community became more timely than anticipated when their state was violently occupied.
The National Endowment for the Arts has survived decades of attacks and cuts, even two Trump elections. But at what cost?
The writer of ‘Meet the Cartozians’ chats with her leading actress about the history behind the play, the complicated effects of assimilation, and Armenian pride and trauma.
A vital yet often-overlooked disability-rights protest in San Francisco in 1977 is musicalized at Denver’s Phamaly Theatre Company.
The articles in our Summer 2026 issue are underpinned by questions about who we’ve been—and who we might yet become.
For our guest columnist’s final column (for now), she reconnects with past students and asks teachers how they’re educating a new generation.
MILCK’s first musical at La Jolla Playhouse this summer can’t keep quiet, telling the story of an Asian American singer/songwriter with some unresolved trauma.
The history of live performance on this continent has been about art, commerce, innovation, stereotyping, and the breaking of stereotypes—i.e., messy democracy in action.