Robert Falls: Letting Go of the Goodman
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’
With her troupe MorDance, Morgan McEwen aims to treat dancers fairly and change the stories ballet tells, both on- and offstage.
2 artists who’ve explored the ways city politics are like theatre wonder: What might theatre learn from city politics?
Artistic director Justin Waldman and managing director Nora Deveau-Rosen have taken over a New Jersey theatre not far from NYC but with strong roots in its community.
They take the honor for the as-yet-unproduced play ‘In the Amazon Warehouse Parking Lot,’ written for cast of 7 women, non-binary, and trans actors over 50.
What will it take to change our ways before climate crisis makes such change impossible? We can start by using one of the greatest human inventions: story.
In tackling Eric Bogosian’s multi-character show ‘Drinking in America’ as his first stage performance in 15 years, the Bronx-born actor is making a defiant return to his roots.
This month Brian talks to the ‘Fat Ham’ playwright about the art-loving family he came from and the communities he’s found in theatre and in Philly.
3 years after shutdown, despite some encouraging signs, most U.S. theatres are struggling to get audiences to commit.
Two in-demand directors of new plays meet to discuss their current projects and the state of the field.