Trans History Project’s Inaugural Cohort Announced
5 plays about the history of gender nonconformity created by TGNC artists have been commissioned, which the artists will spend the next 2 years developing.
5 plays about the history of gender nonconformity created by TGNC artists have been commissioned, which the artists will spend the next 2 years developing.
Pre-show dinner and discussions at Round House Theatre are using Matthew López’s two-part epic to gather queer folks of various ages to reflect on community, care, and culture.
14 new Kilroys have been named to carry forward the group’s advocacy for gender parity in the theatre.
Bond Street Theatre, which takes theatre into refugee camps and prisons overseas, has had programs cancelled—but they’re regrouping, fundraising, and even bringing some of their work home.
An Asian American theatremaker reflects on the intent and impact of Broadway’s ‘Maybe Happy Ending,’ and the precedent its latest casting decision may set.
A new Wallace Foundation report studies the impact of culture-centered, community-based youth arts programs.
In its regional premiere, Celine Song’s debut play, about older Korean woman who dive for their food, has fresh resonance this time around—and a lot less actual water.
How is this long-standing American theatre tradition faring in an age of social media, raised expectations, and post-Covid recovery?
Arts organizations, including dozens of theatre companies, had NEA grants withdrawn or terminated late last week, and leadership resignations at the endowment bode ill.
Altadena Arts and Eliot Arts Magnet School students will perform ‘Shrek Jr.’ at the Ahmanson next week.