Migdalia Cruz Wants to Be Part of World Theatre
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
American Theatre‘s podcasts feature timely and timeless conversations and interviews in and about the theatre field.
This occasional podcast features the editors of American Theatre in conversation with each other and with special guests.
A podcast where playwrights talk to playwrights about the things usually left unsaid: what irks, agitates, motivates, inspires, and makes writers tick. Brian James Polak hosts. Guests have included David Adjmi, Antoinette Nwandu, Jen Silverman, Will Arbery, Korde Arrington Tuttle, Clare Barron, Chisa Hutchinson, Rebecca Gilman, Isaac Gomez, Ike Holter, and many more.
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.
This month we talk to the playwright and director Dexter Bullard, who’s helming his new play, and we check in with two contributors to our Summer edition.
For this special edition (also on video), we gathered 4 smart NYC theatre folks to talk about their visions and recommendations for our art form and industry.
A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.
The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.
This month’s guests are Shakina Nayfack, Ashley Robinson, and Dan Gillespie Sells, who have turned an iconic 1970s play into a musical, and arts journalist Billy McEntee.
Brian talks to the Minneapolis-based playwright about learning from criticism, connecting with collaborators, and finding his voice.
This month we talk to 2 Tony-nominated directors who specialize in new plays, and catch up with tireless critic Chris Jones for a recap of the Broadway season.
The writer of ‘Funny, Like an Abortion’ and ‘The Night Witches’ talks about long commutes, writing science plays, and the parts she wishes she’d been able to play in school.