In ‘For Colored Girls….’, Adrienne C. Moore Has Come Full Circle
The ‘Orange Is the New Black’ actress, who once used a Ntozake Shange monologue as her go-to audition piece, is now starring in the Public Theater revival.
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The ‘Orange Is the New Black’ actress, who once used a Ntozake Shange monologue as her go-to audition piece, is now starring in the Public Theater revival.
The Broadway veteran, still kicking in ‘Hadestown,’ has blazed a path so that others may follow.
The co-founding leader of Ithaca’s Civic Ensemble prepares to take the helm of the similarly community-minded HartBeat Ensemble in Connecticut.
Armed with the idea that truth-telling and empathy don’t have to be mutually exclusive, they founded Rescripted, an independent Chicago theatre publication.
Playwrights Horizons’s outgoing artistic director has always programmed the plays he’d like to see, and sometimes plays his subscribers don’t.
Though Broadway has pulled her back for Adam Rapp’s ‘The Sound Inside’ and Paula Vogel’s ‘How I Learned to Drive,’ she’s thinking of quitting the stage.
Succeeding Sara Holdren at New York magazine, Shaw will shine her unblinking critical light on works big and small.
For the actor/dancer it’s all about storytelling around the campfire, whether it’s theatre, dance, or AC/DC.
Fleming brings his vast experience working as a multidisciplinary artist across the U.S. back to his home state of Kentucky.
An actor known for playing great women leaders takes on the shy, brilliant Supreme Court justice in the two-hander ‘Sisters in Law.’