Beyond the Traditional Talkback: ‘Act II’ Adds Voices to ‘American Song’
For a new play about gun violence, Milwaukee Rep teamed with the Zeidler Center to turn post-show dialogues into engaging and deeply personal experiences.
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For a new play about gun violence, Milwaukee Rep teamed with the Zeidler Center to turn post-show dialogues into engaging and deeply personal experiences.
In staging two contemporary Egyptian plays in the U.S., how to eliminate exoticism without erasing specificity? With care, context—and some poetic license.
Playing Falstaff is a gift that keeps on giving, and not just because it’s among the greatest roles in the canon.
From mental discipline to neck strain, the Irish actress recalls what Beckett’s muse taught her about letting her mouth do all the work.
The Goodman Theatre’s diversity and inclusion efforts, thankfully for me and others, include disability.
Each new play requires a new playwright, in a sense. So how many writers can I be?
The transition from writing for nothing to writing for a paycheck has been smooth. But is stage work now a dream, or just a daydream?
The writer shares her experience of spending 10 months in Blue Lake, Calif., at the Dell’Arte International School of Physical Theatre.
How a seemingly normal night at the theatre led to an altercation with a patron over microaggressions and white privilege.
Bricolage Production Company discovers that fostering inclusivity isn’t just about taking action—it’s also a state of mind.