Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order.
For Peter Sellars and Maya Zbib, mentorship isn’t a one-way exchange.
Their much-anticipated ‘Tales of the City’ musical will debut—where else?—in San Francisco.
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
In an interview, voice-work innovator Catherine Fitzmaurice prescribes a holistic regimen of freedom, release, and transcendence.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
With so many academic programs cranking out new designers, what exactly are we training them for—and how?
A drag performer and playwright fiercely embodies his own speculations about beauty and imperfection.
Older, wiser and as prolific as ever, the much-honored playwright still chooses his words with immaculate care.
In a roundtable discussion, leaders in the field discuss how learning to keep theatre organizations robust and creative requires putting together disparate pieces.