In a new exhibit for Atlanta’s Center for Civil and Human Rights, the New York director highlights the theatricality, and the drama, of the Civil Rights Movement.
With a playful play on a serious topic, Sullivan County’s resident devised-theatre company hopes to change the dialogue around the environment.
A new singing-and-signing version of the rock musical puts its themes—voiceless youth, generational misunderstanding—into even sharper focus.
After making an album together, the playwright/musician and singer/songwriter decided to collaborate on a new musical.
At this year’s Edinburgh Festival Fringe, American artists leapt the fourth wall to hug, prod and party down with audiences.
With her new play, the writer of “In the Next Room” and “The Clean House” imagines parenting a very precious child.
The filmmaker and TV producer talks about why he prefers L.A. to his native New York, about plans for a “Pretty Woman” musical, and about beating “Miss Saigon” at softball.
Site-specific maven Anne Hamburger, back from producing live shows for Disney theme parks, is behind a new multimedia piece about U.S. Marines, ‘BASETRACK Live.’
A Chicago improv and theatre pioneer with so much to give, and who gave it freely.