Presidential Crowd Work in ‘FDR’s Very Happy Hour’
Regan Linton reimagines Roosevelt as an openly disabled role model in an immersive new play, now running at Denver Center for the Performing Arts.
Regan Linton reimagines Roosevelt as an openly disabled role model in an immersive new play, now running at Denver Center for the Performing Arts.
The author of this intriguing meta-play, the full script of which appears in our Fall 2026 issue, talks about its inspirations and its unique form.
The state of play(s) in Southern California, where the theatre refuses to die.
Despite challenges with funding and perception, theatre in Georgia’s capital city is eclectic and vibrant.
How theatres in the nation’s capital are surviving, striving, and living to fight another day.
The industry must not look away from a moment that is begging for it to change, writes publisher Kelundra Smith.
DJ Hills takes inspiration from their own upbringing in rural Appalachia in this world premiere tackling the intersections among queerness, transness, class, and geography.
The playwright behind the Ufot Family Cycle chats about making theatre more community-oriented and humane, and how to make Black girls fly.
Opening Dallas Theater Center’s season of all new work is a play about President Ronald Reagan and Mikhail Gorbachev’s fateful peace talk to scale down nuclear weapons.