So Far Away, So Close: Dispatches From Iranian Theatre Artists
Iranian theatre artists share how they are creating (or not) while holding space for grief, solidarity, and hope amid ongoing war.
Category Archives: Fall 2026
Presidential Crowd Work in ‘FDR’s Very Happy Hour’
Regan Linton reimagines Roosevelt as an openly disabled role model in an immersive new play, now running at Denver Center for the Performing Arts.
Novid Parsi on ‘The Life You Gave Me’: If Only
The author of this intriguing meta-play, the full script of which appears in our Fall 2026 issue, talks about its inspirations and its unique form.
L.A.’s Runway Project
The state of play(s) in Southern California, where the theatre refuses to die.
The Atlanta Way
Despite challenges with funding and perception, theatre in Georgia’s capital city is eclectic and vibrant.
District Defiance
How theatres in the nation’s capital are surviving, striving, and living to fight another day.
The American Nonprofit Theatre Movement Must Be Reimagined
The industry must not look away from a moment that is begging for it to change, writes publisher Kelundra Smith.
Rural Tenderness in ‘Horsegirl & Cowdaddy’
DJ Hills takes inspiration from their own upbringing in rural Appalachia in this world premiere tackling the intersections among queerness, transness, class, and geography.
People to Watch: Mfoniso Udofia
The playwright behind the Ufot Family Cycle chats about making theatre more community-oriented and humane, and how to make Black girls fly.
When Misha Met Ronnie: Dallas Theater Center’s ‘Reykjavik86’
Opening Dallas Theater Center’s season of all new work is a play about President Ronald Reagan and Mikhail Gorbachev’s fateful peace talk to scale down nuclear weapons.
