Nashville Companies Unite for ‘Hamlet’ Reading
The presentation is part of a cross-promotional campaign for upcoming performances of ‘King Lear’ and ‘Rosencrantz and Guildenstern Are Dead.’
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Stories from the South, in Alabama, Arkansas, Kentucky, Louisiana, Mississippi and Tennessee.
The presentation is part of a cross-promotional campaign for upcoming performances of ‘King Lear’ and ‘Rosencrantz and Guildenstern Are Dead.’
Justin Tanner’s great 1990s comedies taught me about the beautiful impermanence of theatre. But artists keep creating, and plays can be revived. Maybe you can go home again.
The Kentucky company will present the regional premiere of the Weill/Lenya bio-musical, as well as two other new tuners.
A brand new production company dedicated to the Southern playwright kicks off with a rarely staged work.
The theatre brought Bob Farley and Anita Allen together nearly 50 years ago, and they’ve been intertwining their lives and their work ever since.
NNPN largesse goes to playwrights and theatres to produce, and partner to produce, new work.
Plays in Nashville Rep’s Ingram New Works Lab go from seedling to sapling. The town’s new-play scene, and the appetite for it, is growing, too.
The resourceful, venue-less Big Easy company plans a range of offerings, including three immersive pieces.
A collection of not-so-straight plays, an ensemble-devised work and an African-American living-room play made up the main slate at Actors Theatre’s annual new-play gathering.
Inspired equally by ‘Star Wars’ and Charles Ludlam, the Philly troupe’s ‘I Promised Myself to Live Faster’ explores the intersection of tween sexual awakening and sci-fi fantasy.