Our nation’s Native history is all around us, if we would only pay attention. One place to look: at a rising generation of Native theatremakers.
Why three premieres in Oregon are a sign of the times—and a long time coming.
At Arena Stage, Mary Kathryn Nagle’s ‘Sovereignty’ set out to reclaim Native stories—and bodies.
Native theatre in the U.S.’s two non-contiguous states, Alaska and Hawai’i, shows resonant connections as well as telling differences.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
In Dawn Jamieson’s new play, four Iroquois high-beam walkers reckon with trauma past and present.
The 1491s have gone from YouTube videos to live sketch comedy to a major play commission, and they’re laughing all the way.
Resources, institutions, and more than 100 artists spanning North America.
A fledgling theatre company in the Land of Enchantment tells Native American stories with both authenticity and imagination.