Our Favorite Things: The Year in American Theatre
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
Among the first batch of grants announced under Jane Chu’s chairmanship, more than $3.58 million went to theatre companies.
Louisville’s burgeoning indie scene is attracting—and increasingly keeping—a flock of eager theatremakers.
From haunted tours to “Dracula,” theatres get in on the Halloween action.
A retrospective, with images, on the work of set designer Ming Cho Lee.
Retired artistic directors Jon Jory and Tina Packer on their next acts.
A new play about a doctrinal controversy at one megachurch cracks open conversations about difficult emotions.
His plays—‘Appropriate,’ ‘An Octoroon,’ ‘Neighbors,’ ‘Gloria,’ ‘War’—are high-wire performances in themselves.
AMERICAN THEATRE looks back on the 38th annual Humana Festival of New American Plays, which featured new plays by Kimber Lee, Lucas Hnath and Branden Jacobs-Jenkins. AMERICAN THEATRE’s senior editor Rob Weinert-Kendt sat down over Skype for a podcast conversation with two theatre critics: Erin Keane—arts reporter and theatre critic from Louisville’s NPR station WFPL—and Bill Hirschman, editor and critic of Florida Theater On Stage. They discussed the festival’s offerings, if art for art’s sake is a good idea and the critic’s obligation to the playwright.
The kind of tension his plays provide may be just what contemporary audiences are looking for.