Broadway Guilds Condemn Antisemitic ‘Parade’ Protesters
The first preview of the acclaimed musical, about the lynching of a falsely accused Jewish American, was picketed by neo-Nazis.
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The first preview of the acclaimed musical, about the lynching of a falsely accused Jewish American, was picketed by neo-Nazis.
Over the past year, no fewer than 10 shows on both sides of the Atlantic have addressed the historical rise of Nazism and/or the troubling resurfacing of antisemitism.
How a number of recent shows in New York are landing, and what it feels like to work on them, in a time of rising antisemitism and right-wing violence.
A beloved musical about refugees, and a new one about current U.S. border policies, hit unexpectedly hard in a newly unsettled time.
Using ‘Funny Girl’ and ‘The Lehman Trilogy’ as jumping-off points, 2 theatremakers tackle the often cross-cutting challenges of Jewish representation, and explore why casting alone can’t save problematic material.
An interview about antisemitism, accountability, and Diet Coke with Emma Jude Harris, an American director-dramaturg based in London.
Far from simply preaching tolerance among Jews, Christians, and Muslims, this 18th-century comic fable insists on true inclusion and fellowship.
Not every Jewish role needs to be cast with Jewish actors, but for plays with antisemitic elements, strong Jewish representation is a must.