Boston’s ART will have sent five shows to Broadway in just three years as of next March, when “Finding Neverland” opens in New York.
Commercial and not-for-profit theatres can’t do without each other, but hooking up can be as profitable as it is problematic.
Sprinting steadily from Steppenwolf to Broadway and back again, the Tony-winning director isn’t even out of breath.
The duo behind the new musical reveal their writing process, collaborative efforts and why an out of town preview was helpful.
Broadway is fine and well, but it’s not the place to gauge the health of American playwriting.
The Main Stem is seeing a surge of new shows, but is it good for business?
A halt to theatre demolition and the latest on LORT/AEA negotiations.