With ‘Hamilton’ and ‘Dear Evan Hansen’ at its back, the American musical is thriving like never before.
The musical by Cole Porter, Bella Spewack, and Samuel Spewack started out more female-focused. What happened?
You can’t just dip into the best, most compulsively readable book ever written about the art and sweat of making theatre (though you may skip a few parts).
A drink with Stuart at Bar Centrale before curtain up was always a highlight of my time in New York.
In this week’s episode, we welcome playwright Martín Zimmerman. Plus, the editors talk Broadway and the NEA.
Where would Broadway be without the nation’s nonprofit theatres? It’s impossible to say, so intertwined are their fortunes.
Last season was notably diverse, but the 2016-17 season announced so far looks more like business as usual on the Great White Way.
From ‘Shuffle Along’ to ‘Hamilton,’ a look at how black music has shaped the sound of U.S. musical theatre.
The innovative Off-Broadway company honored alumni Lin-Manuel Miranda, Thomas Kail, and Jill Furman.
The three collaborators discuss their writing process for the musical based on Alison Bechdel’s graphic memoir, which begins performances on Broadway on March 27.