The writer behind ‘Mame,’ ‘La Cage aux Folles,’ and ‘Hello, Dolly!’ wasn’t just a genius—he was a mensch.
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.
Among the legendary producer/director’s many gifts was an unflinching faith in his work, which was infectious if not imitable.
The actor discusses his career, the challenge of translating Shakespeare into American Sign Language, and his wish for an all-ASL show on Broadway.
Experimental theatre artists Heidi Schreck, Daniel Fish, Taylor Mac, and Young Jean Lee aren’t so much joining the Broadway conversation as leading it.
With ‘Hamilton’ and ‘Dear Evan Hansen’ at its back, the American musical is thriving like never before.
The musical by Cole Porter, Bella Spewack, and Samuel Spewack started out more female-focused. What happened?
You can’t just dip into the best, most compulsively readable book ever written about the art and sweat of making theatre (though you may skip a few parts).
A drink with Stuart at Bar Centrale before curtain up was always a highlight of my time in New York.
In this week’s episode, we welcome playwright Martín Zimmerman. Plus, the editors talk Broadway and the NEA.