Describing How Art Feels and Checking Bias: My Week at Virtual Critics Camp
If the work of criticism is engaging empathetically with the world, the work is never done, as this year’s Zoom-only National Critics Institute affirmed.
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If the work of criticism is engaging empathetically with the world, the work is never done, as this year’s Zoom-only National Critics Institute affirmed.
Two major critics diss a new play about graffiti and hip-hop culture, igniting a debate about privilege, race and who gets to tell young people’s stories.
AT’s own Suzy Evans went to the Eugene O’Neill Theater Center to discuss the role of critics in theatre and how they view their relationship with artists.