This week, the Chicago Tribune’s Chris Jones joins the three critics to talk about ‘Hamilton’ on tour. Plus, ‘Angels in America,’ a history play or newly relevant?
We have so many theatre riches before us. If we don’t engage with them fully and forthrightly, we’re effectively taking them for granted.
EduHam, a.k.a. the ‘Hamilton’ Education Program, empowers students to become part of the sequel.
From Lola’s heels to Aaron Burr’s simmer, the improv and TV star feels at home onstage.
The designer, who has four shows on Broadway right now, relishes cross-disciplinary collaboration.
A new staging of Poland’s national epic was the centerpiece of a festival reflecting the West’s tense, shadowy new age.
Speaking up to bigotry and coming together in the face of uncertainty are two natural roles for the theatre.
On this week’s podcast, Lynn Nottage discusses the presidential election and her new play ‘Sweat.’ Plus the editors discuss ‘Hamilton’s America’ and ‘A 24-Decade History of Popular Music.’
The megahit of the moment, like many revolutionary popular works, has strong roots in musical theatre’s past.
Last season was notably diverse, but the 2016-17 season announced so far looks more like business as usual on the Great White Way.