Alex Edelman, a Good Boy With Boundaries
In his Broadway show about Jewishness, antisemitism, and whiteness, ‘Just for Us,’ the comic makes audiences ponder who the ‘us’ is.
All Stories About Jewish themes
Could It Happen Here? How U.S. and U.K. Plays Are Staging Antisemitism’s Resurgence
Over the past year, no fewer than 10 shows on both sides of the Atlantic have addressed the historical rise of Nazism and/or the troubling resurfacing of antisemitism.
Yiddish Theatre: Not Just a Thing of the Past
In New York City, once home to dozens of Yiddish theatres, 2 companies now tend the flame in different ways—just don’t call it a renaissance.
Jewish Joy, Jewish Trauma: Why They Feel Different Onstage Now
How a number of recent shows in New York are landing, and what it feels like to work on them, in a time of rising antisemitism and right-wing violence.
One Scarf Vs. Siberia: What Can ‘Fiddler’ Teach a Parent in a Dangerous World?
A beloved musical about refugees, and a new one about current U.S. border policies, hit unexpectedly hard in a newly unsettled time.
Jason Alexander Can’t ‘Forget’ the Theatre
Now directing the L.A. premiere of Steven Levenson’s Jewish American family drama ‘If I Forget,’ Alexander holds forth about identity, history, and what he learned from Jerome Robbins.
Funny Girls, Money Men: The Complications of Jewishness on Broadway
Using ‘Funny Girl’ and ‘The Lehman Trilogy’ as jumping-off points, 2 theatremakers tackle the often cross-cutting challenges of Jewish representation, and explore why casting alone can’t save problematic material.
Fragments, Loss, and Language: On the Jewishness of Pinter and Stoppard
An excerpt from a new book about the lessons learned from staging the work of 2 major English writers.
Hath Not a Jew Roles? A Case for Authentic Jewish Casting
Not every Jewish role needs to be cast with Jewish actors, but for plays with antisemitic elements, strong Jewish representation is a must.
Kaddish for Steve: On the Jewishness of Sondheim
Sondheim’s work is elusive, ambivalent, internally conflicted, and deeply concerned with how stories are told. What could be more Jewish?
