A Many-Headed ‘Lear,’ a Theatrical ‘Dinner With André’
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
All Stories About Karin Coonrod
The Queen’s English: Two New Plays Find Inspiration in Elizabethan Language
Meg Miroshnik’s ‘The Droll’ looks at the theatre of Elizabeth’s time, while Karin Coonrod’s ‘texts&beheadings/ElizabethR’ deconstructs her language.
Gospels on the Piazza
During the feast of Corpus Christi, a new ensemble congregates in the streets of Orvieto to reinvent the medieval drama cycle.
Shaking a Stage
A Shakespeare scholar shows how the world makes claims on the Bard.
