On this episode we talk to actor/playwright Daniel K. Isaac about his epic new play ‘Once Upon a (Korean) Time’ and about the untold histories that inspired it.
Over nearly 5 decades, the co-founder of Spiderwoman Theater has harnessed great if under-acknowledged power, and has felt an accordingly great sense of responsibility.
Among the doors the playwright and teacher opened: to the power of words, to the world of theatre, to the possibilities of meditation.
The path-breaking Assiniboine playwright showed us how we could channel our suffering into transcendent theatre.
The co-founder of Mabou Mines never rested on his laurels but kept driving his work forward, on stages large and especially small.
The company will present a digital cabaret series and its annual celebration of queer theatre artists.
This is an especially rich week, whether you’re craving meaty drama, durational performance, or livestream experimentation.
An especially strong week of archival recordings and live readings of buzzy plays.
Artist residents for its 59th season include Philip Glass, Murielle Borst-Tarrant, Great Jones Repertory, Split Britches, Jerome Ellis, Yoshiko Chuma, and more.
Theatres across the country are turning to video-capture as a way to share canceled shows.