Rude Mechs’ Excellent Adventure With Ayn Rand
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
In his new play ‘Somewhere,’ the playwright revisits family history to tell a forgotten New York story.
Memory holds the key to playwright Christopher Shinn’s resonant dramas of the psyche.
Entrances and exits from American Theatre’s October 2012 issue.
Calling all dramaturgs, one-time dramaturgs, would-be dramaturgs! What production in the coming season have you heard about that you wish you were working on as a dramaturg? What is it about this show that afflicts you with dramaturgical envy?
A report from the Sustainability in Theater conference, a site-specific ‘Hughie’ in Omaha, and more.
With ‘After the Revolution,’ ‘4000 Miles’ and ‘Belleville,’ this young, Yale-educated playwright shows equal parts ambition and nuance, teeth and sympathy.
A chorus of voices celebrates the legacy of the annual stage design portfolio review at Lincoln Center.
This is the season when everyone wants a piece of Richard the Prolific.
There’s a revolution afoot in theatre design that takes its cue from the three-dimensional spaces of centuries past.