Rude Mechs Go Glitz and Glam for Design of ‘Stop Hitting Yourself’
Director Shawn Sides and set designer Mimi Lien talk about the design concept for their show at Lincoln Center Theater in New York City.
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Director Shawn Sides and set designer Mimi Lien talk about the design concept for their show at Lincoln Center Theater in New York City.
Commercial and not-for-profit theatres can’t do without each other, but hooking up can be as profitable as it is problematic.
Gordon Cox examines the complicated relationships between commercial and not-for-profit theatres
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
In his new play ‘Somewhere,’ the playwright revisits family history to tell a forgotten New York story.
Memory holds the key to playwright Christopher Shinn’s resonant dramas of the psyche.
Entrances and exits from American Theatre’s October 2012 issue.
Calling all dramaturgs, one-time dramaturgs, would-be dramaturgs! What production in the coming season have you heard about that you wish you were working on as a dramaturg? What is it about this show that afflicts you with dramaturgical envy?
A report from the Sustainability in Theater conference, a site-specific ‘Hughie’ in Omaha, and more.
With ‘After the Revolution,’ ‘4000 Miles’ and ‘Belleville,’ this young, Yale-educated playwright shows equal parts ambition and nuance, teeth and sympathy.