Whether brainy or gutsy, Mimi Lien’s sets are arresting architectural formations in space.
The composer/lyricist discusses her new show with Duncan Sheik, “Because of Winn-Dixie,” and why she loves collaboration.
The actress finds her own method (no, not that Method) of burrowing into a character.
Even Edward Albee figures she’s the kind of director who’s watching his back.
How directors and dramaturgs have approached ‘The Whipping Man,’ ‘The Motherfucker With the Hat,’ ‘Freud’s Last Session,’ and ‘Good People.’