Dramática: No Place Like You
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
A colleague remembers the ‘Coyote Cycle’ playwright and Padua Hills co-founder, who died on Oct. 17 at age 86, for his metrical dialogue, his tenacity, and his mentorship.
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
A brief introduction to the Fornés playwriting method, with a condensed exercise adapted by Migdalia Cruz from María Irene Fornés’s original lab at INTAR.
A colleague remembers the playwright/director/auteur/founder of NYC’s Ontological-Hysteric Theatre, who died on Jan. 4 at the age of 87.
March looks back on a musical comedy duo, a Carolina laureate, A Cherry Lane icon, the Living Theatre, and a Fornés tetralogy.
October recalls the extraordinary career of a 19th-century performer, the founding of both an Indianapolis institution and a West Coast bilingual theatre project, as well as the premieres of 2 very different works by queer Latinas on the East Coast.
From L.A.’s historic Teatro Hidalgo to New York’s INTAR, from D.C. to Houston and beyond, September has been a rich month for Hispanic and Latinx theatre artistry in the U.S.
The season will feature the premiere of a new virtual play by Christopher Chen and the pre-Broadway run of the musical ‘Soul Train.’
How Fornés’s landmark play can teach us to imagine different ways of living, fighting, and making theatre.