Disability inclusion can’t simply be tacked on as an extra in theatre’s budgets and planning; it must be intentional and funded. The good news is that it benefits everyone.
Theatres in Nebraska, Minnesota, and Missouri work to adapt to the new reality and plan for the next chapter.
7 organizations partner on free screenings of art and interviews honoring the life and death of George Floyd.
4 tips for bringing theatre marketing into the 21st century.
Four theatre leaders give ‘vision statements’ in response to the question: How does the role of artistic director need to change in the 21st century?
Among the shows will be a world premiere “drive-through” production by Ken LaZebnik.
My play ‘The Mermaid Hour’ asks theatres to cast only trans or gender-nonconforming performers in the lead role. Here’s how they, and the teens, rose to the occasion.
Theatres find new ways to relate to immigrant and refugee communities, not only as audiences but as partners.
The Minneapolis theatre will produce a new play by Leah Nanako Winkler, and a new musical from David Valdes Greenwood and Eric Mayson.
The grants will provide support for actors to develop community projects and new works at host theatres.