The generosity of playwrights has made the New Play Exchange a destination and a hub that is helping some of us close the social distance.
New models don’t ‘grow on trees.’ As 2010s in theatre demonstrate, they begin in ambition and risk.
The Women’s Voices Theater Festival and the National New Play Network encourages theatres around the world to present an unproduced play by a woman.
An open letter and a bill of rights, in the interest of more stage works representing the full diversity and humanity of Middle Eastern Americans.
On this week’s podcast, we talk about how the nation’s and the world’s political tumult is affecting theatres (and how they’re responding), about the departure of critic Charles Isherwood from The New York Times, and with National New Play Network executive director Nan Barnett about the nation’s new-play landscape.
Can the New Play Exchange bring transparency and efficiency to the play-submission process? That’s the idea, and soon it will be a reality.